Through a thoughtful conversation, Miranda Otto opens up on topics ranging from her latest role as a regal sea creature to the profound lessons learned through theatrical mistakes and meeting admirers.
Your latest character portrays the monarch of the cuttlefish in The Pout-Pout Fish; if you could be a fish for a day, which one would you choose and why?
Straight away, the blue groper residing near Clovelly beach – because it’s like an institution, and people go there to see it. It strikes me as remarkable that a resident aquatic creature that folks genuinely go and see and discuss – it holds a unique status.
Which movie do you always return to, and why?
The 1942 film To Be Or Not To Be. I love this film. When I was growing up, it used to come on the ABC every now and again, and one time I videotaped it. I just thought it was hilarious. It’s the legendary Carole Lombard and Jack Benny. Not long ago they were showing it at the Ritz and I discovered that it was also the favourite film of an acquaintance, and so we attended and just laughed repeatedly. It is a masterful work of comedy and all the actors in it are superb. Mel Brooks remade it in the 1980s – which was not as effective. But Lubitsch's version is a brilliant comedy, to be watched often.
What is the most valuable lesson you learned from someone a colleague?
Years ago I performed in A Doll’s House with Pete – now my spouse, but at the time we were not a couple. We were playing opposite each other and on opening night I stumbled – I skipped forward a few lines in the script. I was unaware of my error but I suddenly realised things were off. I recall looking at him, and he expertly rescued the moment, and then our performance regained momentum and proceeded splendidly. However, I believe the insight gained then was, firstly, always trust the people you’re working with. When you lose where you are, by looking and look at the people sharing the stage with, you can rediscover your correct position somehow. It’s such communal thing, acting on stage. And next, just to have a sense of fun regarding it. Sometimes when a mistake occurs, things actually spark off in a really great direction provided you are fully engaged then. It can be a gift when things go completely the wrong way.
What’s been your most memorable interaction with a fan?
There isn't a single specific meeting but when I meet fans of Lord of the Rings, particularly women, I am told numerous stories about how that character meant to them when they were younger … things that had happened in their lives and how much that character signified for them and was some kind of help to them during those periods.
Which questions get asked most frequently by Lord of the Rings fans?
The most detailed question is always about that infamous meal that Eowyn serves Aragorn. “Was the stew really that bad?” It’s become a running gag, the whole thing about the stew, and everyone wants to know what was in the stew, and how was it made, and in your opinion she’s a better cook now, or do you think she really is a poor chef? People are, I think, obsessed with the humour of that scene. And I go into great detail listing the components that constituted the concoction – as I recall the efforts made; like they even put bits of red cotton to simulate the appearance like bits of veins in the meat. The crew employed great detail to render it as unappetizing as they could.
What was your most cringeworthy run-in with a famous person?
I was at a pilates class and another participant lying down exercising, and the teacher remarked, “Oh, Miranda, this is Miranda.” And I attempted some joke about, “might you be a journalist?” Since Miranda is an unusual name and often when I meet another Miranda, they work in media. I hadn't properly identified her. And as she rose, it was the actress Miranda Richardson. Then I didn’t know what to say. I was obliged to stay and do my class, and I experienced so embarrassed. I wished to explain: “Oh my gosh, I do know who you are!” I consider her talent is immense and I was simply too awestruck to say anything.
Articles have confidently claimed that you were given your name from Prospero’s daughter in Shakespeare’s The Tempest, and yet I’ve read stating otherwise – can you settle the matter once and for all?
Indeed, I was named after a district in Sydney. Mum learned via broadcast that they were inaugurating a mall at Miranda, and the name seemed a nice name.
What’s the most chaotic thing that’s ever happened on set?
While working in Brazil for the film Reaching for the Moon that was the most chaotic set of my career, and yet the film turned out brilliantly. But the local crew operated in a distinct manner. The sense of time there is unique. Typically, you receive a schedule and you have to be on set punctually. But this was sort of open ended – one would appear at one's convenience. It was a really different approach for me. All aspects were being assembled at the final moment, and sometimes the plan was unclear the next location the next day how we were going to do it. And then I would be in the middle of a scene and wondering, “What caused that sound that just interrupted the scene? Ah, it was a crew member popping open a bottle during filming, to start a party.” It turned out great, but wow, it’s a distinct approach to film-making.
Do you have a secretly good at?
I’ve always been an aptitude for numbers. I memorise numbers easier than I learn dialogue a lot of the time, I simply have a numerically-oriented mind. So I think if I hadn’t ended up in acting, I probably would have entered a field involving numbers, like mathematics or finance.
What is the greatest piece of advice you have ever received?
During my time in high school, a speaker addressed us as we were graduating and stated, “have no fear to fail” … which I think is the best piece of advice, since one gains far more from setbacks than is gained from success. Success, one rarely understand precisely why it happened. Failure, you learn abundant.
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