Much has been written about the art of running, a healing activity with capacity for therapeutic unburdening. Within the context of professional sports, however, the pressure of rivalry can cause individuals to overlook of this ultimate goal. Transposed from the eponymous manga, Kenji Iwaisawa’s mesmerising anime looks beyond prizes and accolades to examine the existential drive that drives an competitor’s aspiration.
The Sprint Story chronicles Togashi and Komiya, early-life buddies whose personal journeys separate when they enter elite competition. Formerly the quickest elementary student in Japan, Togashi helps the less self-assured Komiya with the basics. As the twosome move through their youth and early maturity, Komiya progressively advances up the standings of top athletes, while Togashi is stuck in a slump; both battle anxieties and insecurities. Encompassing more than 15 years, the narrative documents their psychological barriers, laying bare the difficulties of an sports professional’s journey, trapped in a cycle of public scrutiny, result pressures and sponsorship demands.
Possibly it’s due to the base story, but the film’s response to these complex dilemmas is somewhat facile; frequently, a lead’s mental struggles just vanish after a extended discussion with a colleague or elder. But what the anime lacks in story nuance and pacing, it makes up for in breathtaking graphics. Using trace-over animation, in which cartooning is superimposed on filmed sequences, the movie generates stunningly detailed running sequences. The bodily strain of a race is clearly shown, and the suffering and elation of competition are engraved on the protagonists’ forms.
One particularly momentous race concludes in the rain, with sheets of charcoal lines that overwhelm the screen. Beyond spoken words, these bursts of artistic excellence capture the near-transcendent euphoria the film aims to evoke.
100 Meters is showing in the United Kingdom from 16 November.
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